Disc 21 / 48

One more themeless disc.

When I started doing this project on CD, I was looking for some way to make the labels memorable--the first time I burned a set of Timothology 2000 (which was 24 discs, if I remember right), I played around with the label software and made a red label for disc 1; red fading to orange for 2, orange for 3, and so on with the last couple of discs being purple that then faded to red. It was actually a pretty good concept, but I burned an entire multipack of printer ink learning that the family's shitty old printer made the final result completely terrible. It didn't match the preview versions on the computer and instead of the label being covered with red ink it was striped thanks to the print heads going back and forth on 1/8" lines to color in the whole label.

So I switched to black and white immediately. The label phrases were stuck on to avoid having 80 percent of the label be blank and the tradition has continued until now.

Timothology:  Strange Aeons Disc 21 / 48
Theme:  None
Label phrase:  "Anything can be recycled. You just have to try hard enough."

01)  Everyday of the Week / The Students
02)  Life in the Foodchain / Tonio K.
03)  Old Man Conroy / Grover Kent
04)  Through Being Cool / Devo
05)  Beatnik Fly / Johnny and the Hurricanes
06)  Peg Legged Father / The Billy Nayer Show
07)  Pictures of Matchstick Men / Status Quo
08)  Chick a 'Roo / Ricky Wayne and the Flee-Rakkers
09)  You Really Got Me / The Kinks
10)  Since You Been Gone / Rainbow
11)  Sunset Strip / The Riptides
12)  Crimson and Clover / Joan Jett
13)  Brass Monkey / The Beastie Boys
14)  Wild Night / John Mellencamp
15)  Telstar / Dennis Scott
16)  Barbara Ann / The Beach Boys
17)  Handy Man / Del Shannon
18)  Wig-Wam Bam / The Donnas
19)  Substitute / The Who
20)  Ballroom Blitz / The Sweet
21)  Hocus Pocus / Focus
22)  Let Her Dance / The Spitballs
23)  A Million Miles Away / The Plimsouls
24)  The Salt in My Tears / Martin Briley
25)  Looking for an Echo / The Persuasions
26)  Give Paris One More Chance / Jonathan Richman